Migration panel 60. And the migrants kept coming.
In this final panel of the Migration series, everything comes full circle through the recurring motif of a train station (using the same colors as those prior). A large crowd of African American people stand shoulder to shoulder on a railroad platform, their bags and suitcases gathered readily next to them as they wait for the next train. Lawrence ends his series on an elliptical note: a prediction that the migration will continue for ages to come. His prediction was correct.
SKU: 65201
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 18 x 12 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
SKU: 65201
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 18 x 12 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
| Paper Size | Portrait / Landscape | Unframed | Framed |
|---|---|---|---|
| Petite | 8x10 / 10x8 | $19 | $109 |
| Small | 11x14 / 14x11 | $29 | $189 |
| Medium | 16x20 / 20x16 | $59 | $279 |
| Large | 22x28 / 28x22 | $99 | $389 |
| Extra Large | 32x40 / 40x32 | $159 | $449 |
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Migration panel 20. In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.
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Migration panel 18. The migration gained in momentum.
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The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.
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